Modalidades de memoria y archivos afectivos: Cine de mujeres en Centroamérica

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The productions analyzed here are characterized, as is natural, by varied cinematographic planes, some more poetic than others, but in all of them there is a direct participation of the body and subjectivity in the processes they narrate, places where data persist that a sociological statistical count is not enough. All these women have produced poetics of interference filmed sparingly, with few resources and stripped of stridency.

Rodríguez, Ileana
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Monday, February 1, 2021