The productions analyzed here are characterized, as is natural, by varied cinematographic planes, some more poetic than others, but in all of them there is a direct participation of the body and subjectivity in the processes they narrate, places where data persist that a sociological statistical count is not enough. All these women have produced poetics of interference filmed sparingly, with few resources and stripped of stridency.
Modalidades de memoria y archivos afectivos: Cine de mujeres en Centroamérica
Línea de trabajo:
Monday, February 1, 2021